Geoffrey Brock Patricia Lost We met, we fell in bed, we got two cats. All fall we fucked with noisy desperation. Our colors changed. We shed our leaves. We snowed and salted all the roads. Then the birds left, and what’s-his-name came back and now you’re gone, leaving only the cats and a fresh cut on the roof of my mouth from the nail of your big toe to remind me you were ever here at all.
Move Try driving twenty hours in a truck, your life a sprawl of boxes behind you, only a few of them light. Add bad luck: the radio doesn’t work; the cat with whom you share the cab decides, in hour one, to piss in her cage (she is, we might assume, as scared as you); and — since these streaks run in threes — it starts to rain. Now, with a mere thousand miles to go, with the vague sun rising in your eyes, grip the wheel and steer.
Interview "Well that beats all, doesn’t it?" God said, gazing across the field at a knot of men arguing outside the tent. He seemed tired; evening had fallen and many remained to be interviewed. "Uh, yessir, it sure does," I stammered, handing him my application and standing by the folding metal chair that faced his own. "So, Mister . . . Brock—" A cry cut him off there, and he rose to his feet, flustered. One man lay prostrate on the ground; the others darted back inside the tent. A gust of wind disturbed God’s hair, his robe. I cringed, expecting thunder. Minutes passed. "Your application," he resumed, "I thought— I thought I set it here when I stood up." But there was nothing within a hundred yards save us, two chairs, and sun-baked earth. He checked his pockets—nothing. Then he turned to me, chagrined but not apologetic, smiled, and said: "I guess you’ll have to come on back some other time." I thanked him and set out, sad but relieved, toward the swaying trees, now black against the darkening plain of sky. "Good luck," he called to me. As I glanced back, I saw a woman emerge from the tent, sidestep the body, and begin the trudge toward God, pale application flapping in her hands.
The Day Before Their Suicide The patient Eva, pink with shame and pride, Became, at last, his blushing bride. For their brief honeymoon, they lied and lied As Eva laughed and Adolf cried.
The Bearers As she descends from the tasseled palanquin her skirts catch, a long thigh flashes like a tusk and cuts, in the men’s dark eyes, white gashes. She does not know or care what they have seen.
The Last Dinner Party for K.G. The couples are gathered around the table, talking between bites and drinking wine. Forks and knives are clinking against plates, and spirits are high and funny stories are told, and someone always seems to be laughing the easy laughter of friends together, and I, too, am laughing and happy and a little drunk. And then I leave the table and walk down the hall and as soon as I close the door the laughter becomes muted, distant. I turn the faucet on to hear the water run. Leaning toward the mirror, staring into my own eyes, I see myself three times: the face growing from my neck is large and unbearably sad; the tiny faces caught in each pupil are blank and eyeless. They float like specimens in jars. Turning off the water, opening the door, I return to the table of my friends. I remain quiet until someone says something clever and I laugh again and someone else says something even funnier, and we’re on a roll now, we’re gathering threads from earlier conversations and weaving them in, weaving the whole evening into one tight fabric, and for a few graceful moments we are gaining on time, all of us laughing and blinking tears from our eyes.
Andrea del Sarto Makes Love to His Wife as the Oils Dry on His Latest Portrait of Her as the Holy Virgin & Afterwards He Is Visited by Her First Husband As if some brush were stroking her with white, a thin sweat broke across her chest and fed the field of blood-red blossoms on her throat and spread, till all her flesh reflected light, like the Arno in the sun, till sharp notes bled unbidden from her lips, her gaze remote — Deflowered again. My Virgin and my life lies as she must have lain in Carlo’s bed. I shouldn’t fret: he’s dead and cannot gloat. Yet still I hear him whisper, That’s my wife, you goat. |